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The Art of Travel, by Alain De Botton
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Any Baedeker will tell us where we ought to travel, but only Alain de Botton will tell us how and why. With the same intelligence and insouciant charm he brought to How Proust Can Save Your Life, de Botton considers the pleasures of anticipation; the allure of the exotic, and the value of noticing everything from a seascape in Barbados to the takeoffs at Heathrow.
Even as de Botton takes the reader along on his own peregrinations, he also cites such distinguished fellow-travelers as Baudelaire, Wordsworth, Van Gogh, the biologist Alexander von Humboldt, and the 18th-century eccentric Xavier de Maistre, who catalogued the wonders of his bedroom. The Art of Travel is a wise and utterly original book. Don’t leave home without it.
- Sales Rank: #19245 in Books
- Brand: De Botton, Alain
- Published on: 2004-05-11
- Released on: 2004-05-11
- Original language: English
- Number of items: 1
- Dimensions: 7.98" h x .58" w x 5.19" l, .56 pounds
- Binding: Paperback
- 272 pages
From Library Journal
An experienced traveler and the author of five books, including How Proust Can Change Your Life, De Botton here offers nine essays concerning the art of travel. Divided into five sections "Departure," "Motives," "Landscape," "Art," and "Return" the essays start with one of the author's travel experiences, meander through artists or writers related to it, and then intertwine the two. De Botton's style is very thoughtful and dense; he considers events of the moment and relates them to his internal dialog, showing how experiences from the past affect the present. In "On Curiosity," for example, which describes a weekend in Madrid, De Botton compares his reliance on a very detailed guidebook to the numerous systematic measurements Alexander von Humboldt made during his 1799 travels in South America. De Botton compares Humboldt's insatiable desire for detail with his own ennui and wish that he were home. There are also details about a fight over dessert, the van Gogh trail in Provence, and Wordsworth's vision of nature. Although well written and interesting, this volume will have limited popular appeal. Recommended for larger public libraries. Alison Hopkins, Brantford P.L., ON
Copyright 2002 Cahners Business Information, Inc.
From Booklist
Rather than lavishing pages on the sumptuous taste of a sun-ripened olive in Provence, philosopher de Botton examines what inspires us to escape the humdrum and purchase tickets to Tahiti, tromp through the countryside, or wander Rome. Left to one voice, such an inquiry might grow dull, but de Botton uses the lives and works of artists and writers to explore the premise. With each chapter, the author dissects our motivation to depart normality and go (he quotes Baudelaire) "anywhere, anywhere!" De Botton's anecdotal accounts of his own travels illustrate the theme of each chapter, such as exoticism or escapism, showing the unexpected (but all too common) disappointments inherent in getting away. Then, using the interior and artistic lives of others, de Botton probes the psychological underpinnings of why we go. The book shines when discussing Flaubert's lifelong urge for Egypt and painter Edward Hopper's affinity for the desolation of fuel stops and Automats. This literary travelogue feeds hungry readers seeking self-insight. Nicole Waller
Copyright © American Library Association. All rights reserved
Review
“A jewel of civility, wit and insight; de Botton has produced wondrous essays. An invitation to hyperbole . . . a volume to give one an expansive sense of wonder.”—The Baltimore Sun
“Illuminating. . .a lovely combination of enthusiasm, sensitivity, a care for the large and small, and the local and the foreign. . . reading de Botton’s book will help a person discover something fabulous in everyday.— Chicago Tribune
“There is something Proustian in The Art of Travel, in the best sense, for Mr. de Botton is a kind of flaneur, strolling through his subject thoughtfully and offering nuanced truths based on his reading, experience and philosophical temperament.”—The Wall Street Journal
“It would be difficult to name a writer as erudite and yet as reader friendly. . .With a wry, self-deprecating charm, he passes his enthusiasms along in such manner that you can’t help being delighted by them.” – The Seattle Times
“[R]efreshing and profoundly readable. . . . Thanks to de Botton’s detailed and thoughtful writing, coupled with his clever curiosity, The Art of Travel has the potential to enrich not only our journeys, but also our lives.” –The Philadelphia Inquirer
“[De Botton] relates even the most disappointing experiences with delightful wit, graceful prose and surprising insight..” –The Los Angeles Times
“Wickedly funny . . . De Botton travels like the rest of us, but he brings with him the amazing erudition, crisp, lovely prose, and entertaining intellect that made How Proust Can Change Your Life and The Consolations of Philosophy such phenomenal successes.” –The Boston Globe
“[E]xudes erudition and artfulness. . . . Delightful.” –Minneapolis Star-Tribune
“[A] wonderful book: inventive, witty, intelligent, and beautifully written. At its best, its prose achieves the intensity of aphorism . . . provocative and insightful . . . teeming with tantalizing detail.” –The Boston Phoenix
“Charmingly and capably convinces us how unaware most of us are as we move about in the world . . . will leave the reader mentally reaching for a pencil to check off the graceful, witty turns of Mr. de Botton’s mind.” –The Washington Times
“A thoughtful and anecdote-rich meditation on how trips can alter us in unexpected ways.” –Elle Magazine
“An erudite, funny brand of philosophy . . . will make you think and laugh and want to plan a trip to test out some of de Botton’s ideas for yourself.” –Atlanta Journal-Constitution
“[A] quirky, delightful meditation on why we go where we go . . . What makes his book so much fun and so utterly unique is the way his mind works as he contemplates his (and our) responses to museums, airports, landscapes, hotels–even to a gas station. Read just a few pages of de Botton and you’ll follow him anywhere.” –O Magazine
“Quietly terrific . . . It says a great deal about his ability that no matter whom he might invoke he does not pale by comparison.” –The NewYork Sun
“De Botton . . . gives voice and meaning to the thousands of epiphanies great and small brought about by voyaging.” –Esquire
“Alain de Botton piques curiosity not only about where we go but why and how–questions worth considering even if our destination is no farther than the nearest cabana.” –Vogue
“Journeys of the de Botton kind . . . expand our perspective, they broaden our mind, they enrich the intellect. We travel, this precocious young man reminds us, to find ourselves.” –The Dallas Morning News
“Delicious writing . . . pure, unalloyed pleasure . . . [De Botton’s] thoughts are original, startling, and what is more, feel true.” –The Arizona Republic
“Utterly charming. . . . De Botton notices the details, and as we grow accustomed to seeing the world through his eyes, perhaps we will notice more too. . . . [A] fine writer.” –The Times Picayune
“An elegant and subtle work, unlike any other. Beguiling.” –The Times (London)
“One of the very best contemporary travel writers–an artist in the genre.” —Jan Morris, The New Statesman
Most helpful customer reviews
384 of 401 people found the following review helpful.
A must for blasé travellers
By MartinP
In the past, when I still regularly attended graduation parties, such parties were always teeming with graduates-to-be harbouring fanciful travel plans. Everybody seemed intent on getting away a.s.a.p., as long as possible, and to a very far away and preferably out of the way place. They wanted to become travellers, a breed not to be confused with commonplace tourists. I've never been able to detect any intrinsic motivations driving this graduate travelling habit, e.g. a deep-seated and longstanding interest in a particular country or culture. It was simply a matter of opportunity, this jumping at the a chance to be thoroughly irresponsible for a while, before entering on the responsibilities of a steady job. And of course, everybody was going and it would be very un-cool to stay at home. After these people returned from their well-organised adventures, it invariably struck me how little they had changed, and how little they had to tell about the places they had been; apart maybe from random scraps on local customs that I could as easily and more completely have found in any travel guide book. Nevertheless most of these people, even years later, would be prone to lapse into dreamy states of blissful reminiscence at the slightest cue, expressing a deep longing to go back there, preferably to stay. It got me wondering why it is that the same things we find boring or commonplace at home are suddenly deeply interesting simply because they occur 5,000 miles away.
I remember one such party where I met an acquaintance who just got her degree in philosophy. I asked her if she was planning on her more or less mandatory world trip as well. But she just gave me a weary smile, tapped the side of her head and said: `Travelling is something you do in here'.
In a nutshell that's the question and the essence of the answer in Alain de Botton's thoughtful book on travel. Why do we bother? What do we expect, and why are we so often disappointed? And then again, why do our memories of the trip rarely reflect the disappointments? And what is the clue to not being disappointed? How do you go about really experiencing the place where you are and making it part of yourself? On all such questions De Botton has interesting and often entertaining observations to make. He shows us that the exotic is not defined by long-haul flights and palm trees, but can be found literally on your doorstep if you just know how to look. He explains why a travelling Englishman can be depressed on far away and exotic Barbados and euphoric in nearby, but in many ways equally exotic Amsterdam, or even around the corner in Hammersmith where he lives. As a Dutchman I was fascinated by his detailed analysis of a sign in the arrivals hall of Amsterdam Airport, explaining its exotic nature from a British viewpoint, and the reasons you would never ever find a sign like that in the UK, just across the Channel. De Botton is a master at finding such surprising angles to elucidate his subjects. Moreover he has considerable erudition to add, resulting in an engrossing mixture of philosophical insight, personal experience, and references to artists, writers, explorers and scientists of the past. Mostly these historical figures, Flaubert in Egypt, say, or Humboldt in South America or Van Gogh in the Provence, are exemplary `artists of travel', people who knew how to make the most of their expeditions. By taking their mindset, involving energy, patience and an eye for detail, as a template, De Botton generates some useful suggestions for the modern day traveller who no longer wants to bore himself by `scoring' obligatory highlights in the guidebook star-rating order, or who refuses to be a slave to his camera any longer. He may even give you some clues as to how to deal with that greatest travelling problem of them all, the fact that wherever you go, you always have to take yourself along.
In all, an elegant, intelligent, thought-provoking, amusing and useful little book, that nobody who takes travelling seriously should miss. Don't take it with you though - it won't last you much longer than an afternoon on the beach...
0 of 0 people found the following review helpful.
A thought provoking read on the process of travel
By Brad Revell
Wow, what a thought provoking book! For someone who has a ferocious appetite to travel (and does both personally and for work) it gave me a fresh perspective on how one should go about traveling and experiencing the world. This is a story of de Botton's experiences intertwined with stories from some of the greats of our history (e.g. Pascal, Neitzsche, Baudelaire etc.). It literally takes you on a journey from the anticipation of travel all the way through to the return to your home and life.
I normally would read this book quite quickly however throughout there were sections that made me stop and reflect on my own travel experiences. At each page turn my values and approaches to travel was challenged and critiqued and I loved it!
Three key takeaways from the book:
1. I'm torn between Pascal's perspective of truly enjoying and taking in a historical artifact (or art) versus being an artist where you take in what you see and then create something unique and creative that enhances the experience for you and for others. I believe that there is room for both depending on the situation. Such as life today where people photograph and video things versus stopping to just enjoy the experience.
2. We want to be happy in our lives and travel seems to provide us with a mechanism to do that. The problem is that we only experience this happiness while traveling because we are outside of the constraints of work and our struggle to survive
3. De Botton advocates travelling alone to be an advantage. He believes that responses to the world are molded by the company that we keep, therefore we align our curiosity to fit in with the expectations of others.
9 of 9 people found the following review helpful.
Thoughtful, provoking, entertaining.
By marciamarciamarcia
De Botton's book is another that I came across at the library in which I work. I was so enamored of it that I had to own it (3 cheers for Amazon!) The book is a series of essays ("On Anticipation", "On the Exotic", "On Possessing Beauty", etc.) interspersed with black&white reproductions of paintings and photographs.
Each essay/chapter contains a place/places and a "guide/guides." For example, in #2 ("On Travelling Places"), the "guides" are French poet Charles Baudelaire and American painter Edward Hopper. Using quotes from the former and paintings from the latter, de Botton evokes the romance of airports and train stations and other places of arrival & departure--how they are the stuff of hopes, dreams, inspirations.
He also writes of the joy of the journey itself, where one is transported not only away from the physical familiarity of home, but into a state of suspension, where--for a time--the worries & complaints of everyday living don't exist. I have experienced this sensation as well as the joys of anonymity--an experience which can transform even a cheap motel room into a sanctuary from daily demands.
Hightly recommended.
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