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Sabtu, 07 Desember 2013

[X125.Ebook] Download Ebook Aviator, by Ernest K. Gann

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First edition bound in black & blue cloth, 189 pages. About Fine in DJ,.

Sales Rank: #1795889 in Books
Brand: Brand: Arbor House Pub Co
Published on: 1981-01
Original language: English
Number of items: 1
Binding: Hardcover
189 pages

Features

Ernest K. Gann
adventure
flying

Most helpful customer reviews

13 of 13 people found the following review helpful.
A tender, touching tale
By Rui A. Laureano
I have to disagree with the other two reviewers, enough to prompt me to write my very first review here. The Aviator is a lovely tale set during those early daring days of mail flights in small biplanes. The trips were dangerous, information on weather enroute was minimal, frequently obtained by calling farmers that lived along the route for local weather conditions. No radios, no cockpit instruments for in cloud flights, no cockpit heating and nav instruments but a paper chart and a clock. And no reliable engines (in a modern sense). Business as usual, back then.

The main character is a mail pilot cut off from the world after a bad accident that left him with more guilt than he could bear. And a bad scar in his face to remind him. He didn't have to look at the mirror to be reminded, he just had to see the look on everyone's face when they stared at him. After his soon to be wife left him, he hid from any kind of human contact by spending the most time in the sky as possible, becoming the most eficient and reliable pilot Moravia, the line's manager had.

In comes the little girl, who wanted to see the world like birds do, so she could describe it to her blind grandfather. A little girl with a huge heart and strong personality, that didn't look away in disgust at the first sight of the aviator's scar.

This is a story of a man who, afer being hidden from the world and from any kind of warm human relationships for a long time, finds himself forced to deal with his repressed ability to love and protect, when he crashlands in an remote valey during a winter storm and injures his passenger.

The way that, despite her injuries, the enduring little girl manages to melt the thick ice in his heart and "bring him back into the light" and the dialogs between the two while the aviator reads her mail letters to keep her distracted from the pain and hunger are memorable to me. Overall this is a tender and heart lifting tale.

Together with the amazing "Fate is the Hunter" (an autobiographic tale), I've kept this as one of my favourite aviation stories.

1 of 1 people found the following review helpful.
Good insight into early aviation
By CJFCL
Ernest K. Gann was a "pilot's pilot" and wrote many novels that proved it. This one is set in 1928 and tells the story of a then-modern-day "pony express" rider-a U.S. Mail pilot whose plane goes down in the Rocky Mountains during a bout of bad weather. He also had a passenger on the trip: an intellectual 11-year-old girl traveling to visit relatives, whose parents wanted her to see the world from the air instead of sending her by a safer mode of travel. (Could anything be less safe than riding in a front well of a plane, on top of a bunch of mail sacks, wearing a helmet that's apparently several sizes too big?) They both survive the crash, but she is severely injured. The story of the search for them and how they cope with their situation is fascinating.

Aviation was relatively new in 1928; it was also a whole lot scarier than today and essentially the Wild West in terms of safety. Pilots of that time were truly adventurers. They had no radar; radio contact was rare, as were runways; there was no air traffic control, and no Weather Channel. They had to figure out themselves where they were, based on visible landmarks, past experience and gut instinct. And they did all of this while flying machines that, though beautifully designed for what they were doing, also seem to have been incredibly fragile. Gann had a gift for description, and an obvious love for his subject matter, so this "primitive" world of flight comes alive in his writing. When he described the planes as being made of "wood, fabric and wire" I got a picture in my mind that made my stomach do flip-flops.

As the daughter of a pilot, I've always believed that they fly because they love it and can't imagine doing anything else. To those of us who don't share that lust it can seem a bit insane, and a book like this gives us a glimpse into the minds of these "flyboys." Very well done.

1 of 1 people found the following review helpful.
Six degrees of seperation.
By Roy
Earnest K. Gann was born in 1910 and myself in 1954 which places me about three generations younger. Oddly my first airplane ride was in Rockland County, NY the same county where he lived and learned to fly back in the 1930's. My life and eventual flying career took me out west and in and out of Washington State's San Juan Islands where Mr. Gann led a pastoral life and my home is now Boise, Idaho area the central location of this novel.

My appreciation for this book is the six degrees of separation coincidences between myself and the author and more importantly that Earnest K. Gann stuck to his craft and wrote this story in the sunset of his life. I suspect his motivation was to present the history of United Airline's humble beginnings as Varney Airlines and to highlight his own intimacy with the terrain in the story. My own local experience confirms that it is obvious that he knew the region quite well both from the air and the ground. Just adjacent to Boise State's Bronco Stadium there is a historical marker celebrating the original sight of the Boise Airport and the founding of United Airlines.

If at times there were facets of the plot that do not reconcile with 2011 safety practices like seat belts etc as a previous reviewer pointed out, we must remember that this was a different time. The moments that the plot is pushed along I forgive based on Gann's previous body of work. This is an author that needs to be appreciated as a genre and not taken one novel at a time. I highly recommend his autobiography "A Hostage to Fortune" for further insight into all of his works.

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Kamis, 05 Desember 2013

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Written by a master electronics technician, the guide covers such traditional and rapidly developing fields as communications transmitters; antennas and satellite and wireless personal communications systems; safety, test equipment, and maintenance practices; spin-offs from military applications; and current trends. The emphasis throughout is on modern components and circuit design. Free of "re-engineered English" and complicated mathematics, this text is perfect for self-study or vocational classes and should provide the core knowledge base necessary for any electronics technician seeking to advance his or her career.

Sales Rank: #3435101 in Books
Published on: 1997-06-01
Original language: English
Number of items: 1
Dimensions: 9.10" h x .94" w x 7.30" l,
Binding: Paperback
353 pages

From the Back Cover
Jargon-free coverage of all you need to know to put theory into practice! Electronic communications is one of today's hottest emerging industries-and numerous jobs go unfilled for lack of qualified candidates. This book can help you develop the theoretical understanding and practical knowledge you'll need to succeed. Many such books are available for engineers, but this is the only guide specifically written for technicians-a clearly detailed overview of how and why today's electronic communications systems work. Written by a master electronics technician, the guide covers such traditional and rapidly developing fields as communications transmitters; antennas and satellite and wireless personal communications systems; safety, test equipment, and maintenance practices; spin-offs from military applications; and current trends. The emphasis throughout is on modern components and circuit design. Free of "re-engineered English" and complicated mathematics, this text is perfect for self-study or vocational classes and should provide the core knowledge base necessary for any electronics technician seeking to advance his or her career.

About the Author
Frederick L. Gould (Titusville, FL) served 20 years in the U.S. Navy as an electronics technician. He currently works at the Kennedy Space Center and has previously written Radar for Technicians (TAB Books).

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0 of 0 people found the following review helpful.
Four Stars
By Matthew
The item was as described & I will be doing business with this seller again.

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Sales Rank: #7007497 in Books
Published on: 1989
Binding: Audio CD

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Senin, 02 Desember 2013

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The conclusion to the If I Break Series. Cal’s back and his arrival changes everything. Lauren knew it was coming but what she didn’t think he’d bring with him was an ultimatum. A choice. One that Lauren feels trapped under. A choice she’s unsure will make a difference but could possibly change everything. The ultimatum isn’t the only thing Cal’s got with him but answers. The ones Lauren so desperately craves. But the truth won’t only affect the lives of he and Lauren but everyone around them…and not everyone wants the truth to come out. The good thing is Cal doesn’t give a F… …There's two sides to every story. In this one there’s three.

Sales Rank: #1055644 in Books
Published on: 2015-07-15
Original language: English
Number of items: 1
Dimensions: 9.00" h x .50" w x 6.00" l, .75 pounds
Binding: Paperback
222 pages

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5 of 5 people found the following review helpful.
5++ “I’m married to them” Stars!!
By Jennifer L - Book Btches Blog
!!!!SPOILER ALERT!!!! Do not read this review without reading the first two books in this series

One of my favorite stories has come to an end and I am happy and sad. Happy, happy, happy with that ending, but so sad to see Cal/Chris and Lauren go. This series has been a wild rollercoaster ride that I have loved every moment of. Book 1 threw me for a loop with the whole Cal/Chris ending. And then book 2 broke my heart as Lauren learned the truth and tried to figure out where to go next. Then Beautifully Broken took it to a whole new level with all the past coming out!!

“Does he decide? Do you decide? Is there a ******* schedule that I can get a copy of? Because this is insane.”

Many lives are changed in Beautifully Broken when Cal comes back in the picture, and all the secrets start to SLOWLY come out! And, wow, we aren’t just rocked once with a whopper, we are given TWO shocking secrets that change everything for Cal/Chris. And Lauren…I felt so bad for her, but yet was so pleased with the way she handled everything about this series. She handled everything with such maturity, when I would have thrown my hands in the air and walked away from that disaster. LOL!!

“He looks broken and I think I broke him. I broke Cal and I broke Chris.”

I am usually all about the alpha bad boy character, but found myself pulling for Chris ever since book 2. I know, I know, they are the same person but I totally fell for Chris’s compassionate personality…plus, he did have a little alpha in there somewhere if Cal came from him ;) And in Beautifully Broken he finally got it together and decided it was time for him to take his life back, which made me admire him even more.

“This isn’t the end of the world. It’s just split my world in two. That’s all. I have to get it together.”

As I said before, Lauren’s character was one of my all-time favorite female characters. She had such maturity, spunk, understanding, and kindness. The girl put up with so much more than any one wife should ever have to. And for the most part, always did it with class. Her support and patience is what won me over in this story. There was no annoying whiney female, except Jenna, and that made this reader very happy.

“After everything I thought that we could all get our happy ending, but the longer this goes on the more it looks like no one’s going to get it.”

I swear this series has to be one of my all-time favorites and I really am sad to see it end. I sure hope the author has more ideas ready to go, because I can’t wait to get my hands on more of her work :)

5 of 5 people found the following review helpful.
Great series!!
By tara hicks
I love it when I can find a book that isn't predictable, which is rare, this series wasn't predictable in the least. It has every element you could want. It felt a bit like a roller coaster ride with ups and downs and sudden jerks to the side, I loved it. I wasn't sure how the writer was going to pull off the ending of this but she did it perfectly. Would definitely recommend to others!

3 of 3 people found the following review helpful.
OMG... This series was off the hook!
By Kindle Customer
I downloaded the first book in this series for free just looking for something new to read....it sucked me in and I read the first two and a half books in a matter of two days and impatiently awaited this one for a couple months! It didn't disappoint! I highly recommend this book and series

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Jumat, 22 November 2013

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Published on: 2008
Binding: Paperback

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Selasa, 05 November 2013

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Aerial Photography and Videography Using Drones, by Eric Cheng

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Inexpensive consumer drones that offer ease of flight and high-quality photography and videography have exploded on the market recently, creating what can only be described as drone mania amongst a diverse range of potential users. Because camera-carrying drones still really only exist on the edge between hobby and the mainstream, there is still a lot of confusion about what these small drones are capable of doing. The decision to purchase one is just the first in a long stream of things a new owner must think about.

Aerial Photography and Videography Using Drones is designed to help you make the most of the opportunities these nimble, affordable, and accessible flying machines have created for aerial photography and videography. Within this definitive guide, you’ll learn about the following:

• the current state of camera drone equipment

• how to become a competent drone operator

• tips for getting the best aerial still images and videos

• stories from aerial photographers and videographers from around the world

• the current regulatory state for drone usage in the U.S.

• techniques demonstrated in several videos you can download from peachpit.com, along with pre-flight checklists and worksheets for flight training.

Sales Rank: #147891 in Books
Published on: 2015-11-05
Original language: English
Number of items: 1
Dimensions: 8.90" h x .70" w x 6.00" l, .0 pounds
Binding: Paperback
288 pages

Review

“Eric is perhaps the most dedicated envelope-pusher I’ve ever met when it comes to equipment and technology. You couldn’t ask for a better field guide to this new frontier.”

—From the Foreword by Adam Savage, co-producer and co-host of Mythbusters on Discovery Channel

“Essential reading for anyone curious about consumer quads, especially all my family and friends who can't stop asking about my funky flying camera. ”

—Norman Chan, editor of Tested.com

“… the ultimate guide for aerial imaging. From techniques, to demystifying gear, to understanding the regulatory environment, this is essential reading for new and experienced operators alike.”

—Gregory McNeal, JD/PhD co-Founder of AirMap, Professor of Law and Public Policy at Pepperdine University, contributor to Forbes.com

“Drones dramatically change the way we think about film and photography, allowing for the capture of completely new perspectives. Eric leads you down a path of getting to know this new language; it’s thrilling and beautiful.”

—Damian Kulash, Jr., lead singer of OK Go and music video director

“Aerial photography has been overly complicated ever since cameras were first introduced to DIY drones. Eric delivers a much needed introduction to give you the best possible start in the craft.”

—Austin Furey, marketing manager, Flite Test

About the Author

Eric Cheng is an award-winning underwater photographer, aerial imager, and publisher. Caught between technical and creative pursuits, Eric holds bachelor’s and master’s degrees in computer science from Stanford University, where he also studied classical music performance. He publishes Wetpixel.com, the leading underwater photography community on the web, and writes about his aerial imaging pursuits at skypixel.org. You can see his photography at echengphoto.com. He was recently Director of Aerial Imaging at DJI, the largest consumer drone manufacturer in the world.

Most helpful customer reviews

10 of 12 people found the following review helpful.
Up In The Air
By Conrad J. Obregon
Every year I attend a big photography exposition. Last year there was just one drone exhibitor. This year there were more than a half dozen. Drone photography seems to be here.

Eric Cheng is a drone apostle, having spread the word of the uses and advantages of drone photography, including as a representative of the largest ready-to-fly drone manufacturer, DJI. His book covers all aspects of drone photography, although for a few demonstrations, there are references to on-line videos. The book includes chapters on equipment, learning to fly, aerial stills photography, aerial videography, real world stories (which is a portfolio of still drone photographs), and flight, policy and travel (which discusses the status of rules applicable to drone flight as well as how to travel with a drone). This is the most comprehensive book on drone photography I’ve seen.

Before going on, I have to confess that I had been opposed to the use of the word “drone” to describe these aircraft, preferring “unmanned aerial vehicle” because of the negative connotations associated with the word. Now, given the rapidly growing positive uses of these platforms, even though there is also an undercurrent of fear and distrust in the public, “drone” seems unavoidable.

The book uses DJI’s Phantom 3 Professional for many examples. This is not an unreasonable choice, given how DJI’s drone dominates the market. The book also deals only with ready-to-fly drones and not the hobbyist’s assembled drones.

The chapter on learning to fly is really just a familiarization, given the number of drone options available. In my case after experimenting with an inexpensive toy drone, I had to resort to the manufacturer’s publications and videos as well as many on-line resources before I felt competent.

(Perhaps not so competent; in speeches Cheng warns that drones are vulnerable. The toy drone that I lost in a tall pine tree and the two Phantoms that drowned might challenge that competence.)

With regard to both still photography and videography, Cheng emphasizes that it is useful to think of a drone as a three dimensional device to put one’s camera into a position to capture images. He discusses the limitations and capabilities of drones, but to fully utilize a drone, one will have to go beyond the discussion in this book. For example, although the author discusses the HDR capability of the Phantom 3, one ought to understand both how to shoot and process HDR photographs.

Cheng’s discussion of the regulatory environment is important to drone pilots, to insure they are not breaking the law or public expectations. He acknowledges that this is a rapidly changing situation and urges monitoring this environment.

A while ago I reviewed this book’s companion Learn-by-Video and complained that it did very little educating. This book is far superior. You will still have to look at other sources to learn to fly a drone and use tools like Intelligent Orientation Control but this book will provide a good foundation for newcomers and contain a tip or two for more experienced pilots.

6 of 8 people found the following review helpful.
Great technical resource. Concise, well-written. Beautiful pictures you simply can't get with an airplane or helicopter.
By Rob Carswell
The best book about using drones for aerial imaging…aka taking pictures from the sky! Eric Cheng is both a techno-wizard and creative artist, turns out he writes well too. This book is good news for DJI Phantom and Inspire owners. Even though Eric goes to great lengths to display even-handedness to other drone manufacturers (Parrot, 3DR, Yuneec), most of us are DJI customers and Eric gives very specific advice and examples as if the audience is using a DJI product. Note: You are still going to need to read the User Manual for your drone as well as visit the FAA’s Know Before You Fly website, but once you do, this book will get you started making dope YouTube videos and perhaps a flyover clip of a property for a real estate listing. Don’t accept money for your videos though, at least in the US. For that, as Eric details in his section on current regulation, you’ll need to ask the FAA for special permission. Like I said, best book in the space.

3 of 4 people found the following review helpful.
If becoming the Spielberg of the skies is on your to-do list, this book is for you!
By Good Amazon Customer
If you want to go almost instantly from 0-60 in terms of aerial photography (and video) knowledge, this may be the book for you. Mr. Cheng is perhaps the most experienced drone photog on the planet today and has been involved closely with the improvements in the machines and techniques. In this book he freely shares everything he had learned in the process.
This book is not an introduction to drones (it covers more advanced camera models though) so the budding aerial photographer would do well to read up on the very basics of how these machines work before tackling this book. Lots of information can be found at various web sites (and even some other book) on the subject of drones for beginners.
I have the printed version which is great due to the large number of one and two page example photographs. These are probably visible on the ebook if you have a color device (ipad, etc.), but won't show up in their full glory on a plain Kindle (B&W).
pic is my book and my machine - ready for action!

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Jumat, 01 November 2013

[G326.Ebook] Free Ebook Fantasy Art Techniques, by Boris Vallejo

Free Ebook Fantasy Art Techniques, by Boris Vallejo

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Fantasy Art Techniques, by Boris Vallejo

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In a captivating, behind-the-scenes look into the creative process of a fantasy artist, renowned artist Boris Vallejo discusses in depth the techniques of a personal style that has placed him among the leading international fantasy and science fiction artists of today. 91 color images; 32 line drawings.

Sales Rank: #5970424 in Books
Published on: 1985-10-01
Original language: English
Number of items: 1
Dimensions: 11.06" h x 8.27" w x .0" l, 1.18 pounds
Binding: Paperback
128 pages

From School Library Journal

YA A lovely browsing collection of color reproductions that will appeal to young fantasy fans because of Vallejo's exciting renditions of unearthly creatures and sexy humans. The moods range from the frightening to the humorous. Vallejo describes various painting techniques in an accompanying text, and he includes some rough sketches to illustrate the development of painting. This book is more of an introduction to fantasy art appreciation than a course in technique. There is no index or list of illustrations.

The Concept

The elements of a fantasy illustration need make no pretence of imitating life such as they must in, say, an illustration for a gothic, a mystery, or a novel. Fantasy engages the imagination to a much larger extent; the creatures portrayed may come partly or entirely from your head. And yet, to be successful, the scenes from your imagination must be convincing enough for a viewer to be willing to go along with you: to willingly suspend his disbelief and say, "Yes, this could work".

How does someone begin to create these wholly imaginary pictures? The answer to the eternal question "Where do your ideas come from?" seems obvious at first. Naturally, they come from my head. Where else? Ideas come from one's head. It's true, when you set a manuscript to illustrate, you're likely to find descriptions in it. Still, it is up to the artist to interpret them. All those alien beings and landscapes come into being from what is, in fact, known to us. Existing life may be the point of departure, yet all successful fantastical creatures must relate back to it as traceably as vertebrates do to the single-celled amoeba. Muscles are what makes movement possible for the higher forms of living creatures. If you want to paint a combination animal/machine, let's say, there must still be a relation to existing animals and existing machines; the musculature, at least, must be plausible.

The immediate environment is a tremendous source of ideas for me: shadows, shapes, things that, as a result of being near-sighted, I don't exactly see. It's pretty easy for me to reinterpret something twenty feet away which is already fuzzy. With a little push it readily loses its real contours and becomes something else in my eyes. If I start elaborating on what I don't clearly see, I can go in any direction. All I need is an existing starting point; my imagination takes over from there.

This odyssey of the imagination need not be a deliberate or controlled thing. It's much better when it's not directed, when I simply sit quietly and let it happen. In a sense, it's as though my ideas don't come out of me so much as I allow them to move in on me. The most important thing one can do to nourish the imagination is relax. I have noticed that when I specifically try to think of something, really strain towards an idea, very little happens. Whatever does happen is usually stilted and forced. If I relax and open the doors, so to speak, ideas do come.

Often enough, inspiration begins with the model. I see someone and I think: I would like to use this person for a painting; I would like to focus on this or that special feature of this person. From there I can evolve a character, an atmosphere, or an entire concept.

I once saw a young man at the gym I go to. He was an excellent bodybuilder, but the more notable quality about him was that he possessed not only huge muscles -- a really fine development -- but also a very boyish, almost child-like face, which presented a striking contrast with his physique. I stored this impression in the back of my mind, hoping that a job would come along for which I could use him. Then I was given a collection of stories by Isaac Asimov.

My original concept for this book's cover was of a young scientist type sitting on top of the earth in the middle of space. Subsequently I got a call from my client saying that although she liked the sketch, it was not exactly what she had in mind. What did she have in mind? Well, she was rather vague about that, but she preferred something with a more heroic feeling. As we were talking it occurred to me that, instead of emphasizing the human aspect of the stories, I might emphasize the mechanical.

It was then that I decided to do a robot -- not the typical machine-like robot, but a more human one who would, nevertheless, have a superhuman appearance. At once I made the connection between this idea and the young man I had seen in the gym. The fact that his face was so youthful and his body so highly developed led naturally to the idea of keeping the roundness of the muscles and the distinctive shape of the body but making it metallic, chrome, really beautiful and shiny out there in the middle of space. I still thought of having him standing on the earth, but as I worked, the earth changed into a simple globe. It also became shiny, like glass or chrome.

So, you see how the concept changed from the sketch of the robot that I started out with to the finished painting. With the use of that man as the model, the robot became an almost superhuman figure, spinning nebulae out of his bare hands. His face is nearly expressionless. Yet there is a suggestion of childlike wonder and joy at what he is doing: there he is in the middle of space, fascinated with the beautiful things he is creating. In this case, the "model" was just perfect, and the concept owed a great deal of its development to his physical characteristics.

Of course the concept may originate in a more general way than with the model. I may simply think: It would be nice to do something metallic; it would be nice to do something fluffy; it would be nice to do something in which I can concentrate wholly on the figure because the background would be negligible or, vice versa, in which I can concentrate mainly on the background because the figure is inconsequential.

Most often, however, the concept is established by the manuscript to be illustrated or by the movie for which a poster is to be made -- by the product to be sold. In the case of a book there is, first, the manuscript. There is an old saying that one shouldn't judge a book by its cover. But often enough a book is bought precisely because of its cover. Therefore, as an artist, what one must look for in a manuscript is a scene that is representative of the book, perhaps one with plenty of action or one that is, for its colour or subject, quite eye-catching. After all, there are hundreds of books on the bookstore shelves and the successful cover should draw the prospective buyer like a magnet.

Some authors are very descriptive and make the task of selecting a visually effective scene relatively easy. The Lavalite World is a good example. It is a book of adventures and consequently presents any number of action scenes involving the hero, the heroine, and the monster or villain. To show the hero and heroine riding a tree trunk into battle was, to my mind, colourful and unusual enough to evoke any browser's interest in the book.

Some authors are less visual in their writing. They write with less attention to detail and their imagery is more abstract. In such a situation one has to capture a feeling, something representative of the story rather than a particular scene or incident from it. This feeling must then by expressed in visual terms in order to convey an immediate sense of what is going on in the book. My illustrations for Enchantment, which my wife Doris wrote, exemplify this.

The painting for "Web" does not represent a particular scene from the story. It is simply a depiction of the way I experience a spider woman. I began with the question: What typifies a spider? It has eight legs. But I didn't want to paint a totally unappealing woman with eight hairy legs. I wanted a woman who was sensual and sexy-looking, but at the same time menacing, and who would still evoke the feeling of a spider -- perhaps with a spiderweb around her.

The painting that was done for Heavy Metal, however, was not inspired by a manuscript or anything more than the title of the magazine itself: HEAVY METAL. I began with the idea of something metal, a heavy metal. A safe came to mind. The door of a safe which, to me, was quite representative both of "metal" and of "heavy". From there followed the image of a bank vault. Yet this was a fantasy painting that I was going to do. What did fantasy have to do with a bank vault? I decided to put it into space; a heavy metal bank vault floating in outer space. Still, something fantastical had to happen. What if something is inside there, I thought. What would have to be locked behind such a door? Some kind of creature, obviously, that has to be kept from escaping. And what if the creature has been pounding at the door? What if the creature has a metal hand that it has been pounding and pounding the door with and has finally broken through? The first picture that flashed through my mind was of some powerful and monstrous creature. But that would have been a bit too ordinary. So I made it incongruous: a kind of wild-looking woman instead of a creature, not all that physically powerful in appearance but with a crazed look. She not only had the metal hand but the wild eyes and the wild red hair. All these elements brought together in a painting should really make the viewer stop and say: Look at that! What's going on there!

Most helpful customer reviews

1 of 1 people found the following review helpful.
An excellent supplement to their Fantasy Workshop book
By Alaskaguy
I've been entralled by Boris and Julie's book covers for many years. Fixated by their figures, fantasy creatures, and supernatural landscapes, I couldn't even imagine painting figures in such detail myself. I really like this book, but will also admit that it left me a bit disappointed at first, not by what it included - but by what it lacked. Its strengths are summed up in Boris's sage advice that "the beginning artist should draw only what he sees" and its thorough demonstration of using models, reference photos, and sketching. By itself, that's well worth the price of this book - especially coming from a fantasy artist! Several step-by-step demos and many finished paintings add considerably to this, but still left me (then a wannabe artist) wanting to know more. What a surprize to find their other book Fantasy Workshop: A Practical Guide! Taken as a pair, these two books by Boris and Julie reveal a considerable amount of advice and details about techniques, style, composition, inspiration, and more for painters of all levels. In fact, they inspired me to take the plunge and try my hand at realistic portrait and figure painting. By following their methods and demos, I've been been pleasantly surprized with the results. I've since acquired more experience, as well as a substantial library of books by other authors (read my other reviews), but I find myself returning to this and others by Boris and Julie, for reference, techniques, and inspiration.

0 of 0 people found the following review helpful.
Boris at his best (imo)
By Amazon Customer
used to have this book back in the 80's.
was glad i found it again.
the artwork is fantastic.
you get some pencil work in the beginning and then the full color oil paintings.
love it.

0 of 0 people found the following review helpful.
Five Stars
By Sean
great

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